While Toni Morrison’s Beloved, and Harriet Beecher Stowe’s Uncle Tom’s Cabin, stand quite different from one another, the two novels do share some similarities in their stories of characters living under the conditions and torment of slavery. The clearest theme the two share is the effects of slavery on the African American race and psyche. While the two novels do share this characteristic, it is striking how many aspects of this theme are portrayed differently, and to what extent as well.
In Uncle Tom’s Cabin,
readers clearly see the negative effects slavery has on the characters. Like
Sethe in Beloved, Eliza flees with
her child to escape a future life of slavery for her son. Tom and his family
and friends, must bear the emotional and physical weight slavery takes on them,
as well. For the cruelty of masters such as George’s left them feeling exhausted,
and like they were less than a person, as George said, “My country! What country
have I, but the grave, --and I wish to God that I was laid there!” (Stowe, 99).
In Stowe’s novel, characters such as Tom turn to religion as
a means to deal with the effects and torments they face at the hands of slavery. As I
mentioned in the first part of this project, and as we talked about in class,
Tom was portrayed as being a Christ figure in the novel, as he would bear
everyone’s struggles and die a martyr for them. Tom still remained heartbroken
over his situation and being sent South, but his strong belief in his religion
and redemption in the afterlife kept him carrying on. The audience sees him breaking
down in emotional defeat at both St. Clare’s and Legree’s plantations, as he
grapples with the emotional and physical effects of slavery. However, in Uncle
Tom’s Cabin, religion is continually shown to lift the spirits and emotional
burden of the slaves, seeming to free them from many of their problems. Yet,
with this in mind, Stowe really glosses over the trauma and damage of slavery
to both the slaves themselves, and the African American race as a whole, in her
novel.
However, Morrison’s novel shows a much different picture in
regards to the effects slavery has on the characters. Morrison’s novel depicts
both the physical and psychological torment of slavery and the long lasting
effect this has on the former slaves and their families, as well. In Beloved, Sethe and Paul D. are
constantly reliving the memories of Sweet Home, and their own separate
experiences after their escape from the place. Living in this aftermath left
them treading conversations and memories lightly, as “Saying more might push
them both to a place they couldn’t get back from” (Morrison, 86). After the
death of her child, Sethe’s remaining daughter Denver lives in a life full of
questions and fear as she’s confined to the house, the ghost of Beloved, and
the memories Sethe and Paul D share. Characters in Morrison’s novel also suffer
from the severe physical effects of slavery. Sethe lives with the memory of
being caught in her escape and having her milk stolen, and the scar on her back
remains a daily reminder of this. Paul D too is faced the remembrances of being
in an iron collar, and seeing his friends being burned, beaten and shot.
Additionally, we spent time in class answering the question,
“Who/what do you think Beloved is and what might she symbolize?” I think this
again relates to my personal synthesis, and the effects of slavery that are
seen in Beloved. For I thought that
whatever Beloved was, she symbolized the lingering torments of slavery, because
she had such a profound and psychological effect on all the characters she came
in contact with in the story. She consumed the mind of Sethe in particular,
just like the experience and memories of Sweet Home and her escape from the
place constantly flooded her mind. As Sethe spoke to Paul D of the memories of
Sweet Home, “Comes back whether we want it to or not” (Morrison, 16). The
effects of slavery were so strong that it remained a part of her memory and identity
that she couldn’t break away from.
The way the effects of slavery are dealt with in both novels,
relates back to an article I read by Sophia Cantave for the first part of this
project on Uncle Tom’s Cabin. In her
article, Cantave had argued that among other things, Stowe’s book didn’t
accurately portray slavery and left out a lot of its horrors. Since Stowe was
also a white woman, Cantave argued that she was able to speak for this
experience, as it became what people in society took to be both accurate and
relatively truthful, simply given her race. Thus causing the dismissal of the stories
and experiences of African Americans, as she wrote of their struggles stating, “African
Americans who step outside the accepted parameters of slavery’s discourse risk
shutting down discussions, arousing white defensive or apologetic barrages and
black desires to acquiesce and make nice in the face of such responses.”
(Cantave, 591) I think we can definitely see this difference after reading the
two novels, as Morrison’s novel certainly depicted slavery and its effects as what
it truly was. Furthermore, we discussed in class how people tried to ban Beloved because of its content, which
helps provide evidence for Cantave’s point on the authenticity and acceptance
of the work of African American writers like Toni Morrison.
Even though Morrison’s novel was written quite a long time
after Stowe’s book, I think it’s important that readers take to Beloved, even if it is a little dark and
complex of a novel. For Morrison’s novel shows the effects that slavery had
into the next generations, and how it completely left former slaves with
torment, trauma, and brokenness that they tried hard to recover from. I think
most often the psychological effects of slavery and racism can go unnoticed,
and Beloved offers the audience this
missing piece of the puzzle. In portraying this torment, I think Morrison is
also able to appeal to the emotions of readers by showing the bigger picture of
slavery, as compared to Harriet Beecher Stowe. While it is rather dark and
disturbing material, it allows readers to become more aware of some of the
hardships faced by slaves and their families, both during slavery and in the
aftermath of its existence. Being that Morrison is of African American heritage,
and brings these horrors to light, she’s able to give voice to the African
American community instead of letting white authors speak for the whole
experience. In doing so, I think she not only educates her audience but also
offers us material to look to in order to understand racial issues and make
racial progress.
Cantave, Sophia. “Who Gets to
Create the Lasting Images? The Problem of Black Representation in Uncle Tom’s
Cabin.” Uncle Tom’s Cabin. (2010) 582-594. Print.
Morrison, Toni. Beloved. New York: Knopf, 1987. Print.
Stowe, Harriet Beecher. Uncle Tom’s Cabin. Ed. Elizabeth Ammons.
New York: W.W. Norton, 1994. Print.
I didn't really think about this until now, but religion isn't a huge motif in Beloved at all. In UTC we discussed religion the whole time and how it was portrayed differently by several different characters and what that may mean. It's interesting that religion isn't really used in Beloved. Maybe that is Morrison's way of commenting on the psyche of former slaves and that they have been so damaged that religion isn't really useful anymore. Very interesting how these novels both discuss slavery but are very different in the ways they go about that discussion.
ReplyDeleteUntil I had started writing that post, I hadn't really thought much about how little religion seems to appear in the novel. I would agree with your point that Morrison may be commenting on how religion wasn't useful to former slaves because of all the trauma they had been through. I think Baby Suggs would be an example of this. She had faith but towards the end of her life she seemed to give up on it, as she had been through so much and had a hard time finding anything good or happy in the world.
DeleteI like how you compared the time periods between the two novels and how Beloved shows the effects of slavery through generations unlike Uncle Tom's Cabin.
ReplyDeleteI think the race of the authors definitely makes a difference--not that authors can't and shouldn't write beyond their identity groups, but it does shift how they tell the story.
ReplyDeleteThe absence of any kind of organized religion is interesting--we see Baby Suggs preaching in the Meadow, but somehow it seems less Christian than Tom's preaching.